10 FICTION-WRITING TIPS FROM NSSWM
1. On writing an exceptional short story:
Edited to add: joep613 and stateofga, you’ve each won a copy of the 2015 Novel & Short Story Writer’s Market! Congrats!
1. On writing an exceptional short story:
“Outline, even if it’s the most rudimentary way. It leads
to inspired deviations. … [Don’t] think too hard about ticking off
[your] boxes in advance. A good story—long or short—will provide them by
virtue of its being good.” —Andrew Pyper, in Jennifer D. Foster’s
article “Anatomy of a Successful Short Story”
2. On writing dialogue within a scene:
“Rich dialogue can animate and drive a scene. But good
dialogue doesn’t act in isolation. The point of view of the stakeholders
in the matter at hand must be provocative or interesting in some way.
There must be conflict—conflict important enough to make the reader
care. And then, driven by this conflict, the characters must come alive,
revealing their needs, desires, flaws—their basic humanity. The
dialogue itself must be distinctive and original. When it’s not working,
it tends to sound clunky and artificial.” —Jack Smith, “Writing Strong Scenes”
3. On finding ideas for magic realism:
“Ever since I began writing, I’ve been a collector. Not of things—shells, stamps, figurines, stuffed monkeys, autographs,
etc.—but of possibilities. Odd happenings and images from around the
world and in my dreams that could—and often do—make their way into my
writing. While many might be considered mundane observances, paired with
the right character in the right situation, I know they’ll make
terrifically fantastic occurrences. —Kristin Bair O’Keeffe, “Making
Magic”
4. On getting through the mid-draft slump:
“A mid-draft slump is a symptom, which calls for a
diagnosis before you can effectively treat it. Believing you can write
your way out of this mess, that you can rescue the middle with a strong
closing act, is a seductive trap, because your reader may never make it
that far. When that reader is an agent or an editor, this assumption
becomes a fatal one.” —Larry Brooks, “Stuck in the Middle”
5. On developing a distinct point of view and voice:
“Practice makes perfect, and the best way to practice is
by writing short stories. Flash fiction (telling a full story in 1,000
words or less) is a great training tool.” —J.T. Ellison, in Janice Gable
Bashman’s interview “Capturing Readers’ Interest”
6. On Twitter “pitch parties”:
“As informal as social media can be, Brenda Drake
emphasizes that writers need to treat pitch parties as professionally as
any other submission. ‘Your manuscript should be completely polished.
It has to have been through your beta readers and critique partners, and
you should have revised it a few times,’ she says.” —Diane Shipley, “It
Started With a Hashtag”
7. On what impresses literary journal editors:
“I’m impressed by a writer who takes our theme, shakes it
around, and throws it back at us in a way we were not expecting.
Catching us off guard with good writing is rewarding. We all know what
we want, but when we come across something we didn’t expect, something
that cuts in a new and exciting way, that is a great way to attract
attention.” —Todd Simmons, in James Duncan’s roundtable “What Literary
Journals Really Look For”
8. On how to choose a small press to submit to:
“Evaluate the content. If a small press is consistently
putting out quality writing, chances are it has a solid editorial team.
The amount of time it’s been in existence and its general reputation are
helpful indicators, too.” —Robert Lee Brewer, “Sizing Up Small Presses”
9. On hybrid publishing:
“Diversity means survival. That’s true in agriculture.
It’s true in our stock portfolios. It’s true on our dinner plates. And
it’s true in publishing. Survival as a writer means embracing diversity
from the beginning. And that means thinking of yourself as a “hybrid”
author. … The hybrid author takes a varied approach, utilizing the
traditional system of publishing and acting as an author-publisher (a term I prefer to self-publisher because it signals the dual nature of the role you now inhabit).” —Chuck Wendig, “Best of Both Worlds”
10. On organizing a virtual book tour:
“You may find it helpful to assemble an ‘online media
kit,’ a section of your website where you can provide photos and other
relevant information, such as a video trailer and press release, in one
location. This way, you can give your hosts a single link instead of
inundating them with attachments … .” —Erika Dreifus, “10 Tips for Your
Virtual Book Tour”
You can find the articles these tips came from, as well as hundreds
of listings for book publishers, literary agents, magazines, contests,
and writing conferences, inside the 2015 Novel & Short Story Writer’s Market.Edited to add: joep613 and stateofga, you’ve each won a copy of the 2015 Novel & Short Story Writer’s Market! Congrats!
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